Thursday, August 25, 2011

Critiques. The short answer is: Yes! If my own books aren't eating me alive.

I have been doing critiques for writers' conferences for years.  Because I couldn't attend SCBWI LA this year to do them at the conference, I decided to make amends to the 18 people I had let down by doing their sessions by phone and Skype, expanding from 20 minutes to at least an hour, and doing only 1 a day so that I could focus on each writer's work. This arrangement gives me enough time and emotional bandwidth to do my own writing, too, which is ever and always my priority.

The sessions have been amazing.  Each writer provided ten pages and a synopsis.  I read each ms carefully and marked up the pages with comments and suggestions.  Then we scheduled a phone or Skype appointment. 

At conferences, even the ones I love best, there is always a hurried feeling. This time, I could focus on the work, not the clock. We began by talking about the author's intent. Then we did a line by line examination of the 10 pages/synopsis. Once I understand what a writer is trying to create, I can focus on character voice, how to gracefully salt in backstory, build a seamless movie in the reader's mind, make sure the plot works, etc, etc...tailored for each writer. I always give concrete examples to support concepts and try to make sure everything is useful and tied to each writers' current work.  With a longer session, I could do all of that MUCH better. I can't describe how lovely it has been. I have never done crits like this, without a conference as the backdrop.  Each one was targeted and long enough to teach, instead of explain, writing skills.

So thanks to everyone who has been in touch. Yes, I am doing longer format critiques when I can fit them in. As much as I love to teach, I love writing far more, so I am sometimes unavailable. For rates, choices and all other details, you can contact me at kathleen duey at earthlink dot net 

*I feel compelled to add--I will send you the info and never bother you again. I only do a few critiques a month--and sending out the info to those who request it is NOT a way to build a mailing list. You will never hear from me again. I promise. I don't want a lot of critiques. I want to work with a few serious writers and save them all a couple of years. 

****Almost every critique so far begins with a discussion of voice. One writer I helped just sent me a redone/re-imagined first page. The voice is **astonishing.**   ((yay!))

*** Yes, I can evaluate a manuscript written for adults. Half my fan mail comes from adults. I am an adult. The writing skills needed for YA storytelling are the same as those needed to produce stories for adults.   

*** Long session yesterday and it was like watching a flower bloom. Lovely! 

***Two more long is so much fun to watch people light up when I point out the places where the text fails the story and they begin to see how a word, two words, can make all the difference.  

*** A great session with a writer who had created a really interesting premise, then got lost in the woods trying to do re-writes. We spent most the time relocating the core of the story, then finding ways to salt it into the shadows, the daily life of the character, the escalating uneasyness of the reader.
Photo by Roxyanne Young, author and friend...taken in San Louis Obispo 2012.  I got to teach two three hour sessions with published and prepublished authors. It was fun!

***Someone has asked if I am a harsh critiquer. NO. I'm a writer. I have friends who beta read my work before my editors see it. I know how it feels to hold your breath while someone reacts to your manuscript. I tell the truth, yes. Always. And I try to make it so that you can apply whatever skill we are addressing to everything you write from then on. 

Me. Closing speaker for the SCBWI international LA conference, staring out at 1200 writers and hoping to say at least one thing they could take home and USE. 

Tuesday, August 02, 2011

Thanksgiving. It's complicated.

Thanksgiving is an odd holiday for me.
It's complicated.
Or maybe three times.

My grandparents moved  from Tennessee to Colorado when my father was five years old.  I loved my  quiet and reserved Grandpa and tried to love my irritable and opinionated grandmother. Grampa's Thanksgiving prayer was always short and sweet, but I remember him including the "Cherokee Nation" once or twice, because his mother--my great grandmother--was half Cherokee. He explained to me that the earliest colonists would never have made it through the first winter without a lot of "Indian" help. He said all the tribes got a "raw deal".

When I was in forth grade, my father began to buy me books about the Cherokee. I remember him turning it into a math lesson:  Great Gramma was 1/2 Cherokee so Grandpa was 1/4,  which made my dad 1/8 and me 1/16th.  My father was proud of our fractional heritage. I heard him tell  people that he had both Irish and Cherokee blood, so I started saying it too. The books he gave me on birthdays and Christmases taught me more about about the Cherokee culture. I read about the atrocities, too, the 1500 mile forced march from the Cherokee's home to a reservation in what became Oklahoma was called the Trail of Tears. Underfed and exhausted children who died were left by the wayside. Some mothers pretended their babies were alive, carried them day after day, desperate not to leave them to the crows and coyotes and ants. Old people who could not keep up were left behind, too. And there is more, so much more to lament and be ashamed of in the long, cruel history of the "settling" of America. I finally realized years later that was what my grandfather had called a "raw deal."

my great grandparents and their first four children.
My great grandmother was half Cherokee. Her other half  never came up at the dinner table. My grandfather never mentioned or prayed for that side of his heritage and I don't think anyone ever wondered why. I didn't. The books all said many Scotts-Irish people and others  married Cherokee people in Eastern Tennessee long before and long after the Civil War.

 My grandfather died when I was eleven.  Years later my cousin told me they found his KKK card in his sock drawer after the funeral. He was a gentle, kind man and I was stunned. Some people said that  when he was growing up the Klan was like a service organization, a club that helped out members in need. Maybe he believed that. I can't. It weighed on my heart and still does. I can't reconcile it with the sweet and soft spoken man I knew.

One of my cousins researched our family history. He found relatives none of us had ever met and documents we had never  known about. There were a few vague references that made me wonder if we had a third heritage that had never been talked about or honored. But all hints were blurred and old and where there was ink on paper, it was faded and uncertain. I wanted to have more strains of humanity in my genes. I was writing by then and visiting schools. I would have loved to claim a broader heritage -- but no one found anything of substance. I was sure I would never find out, never know.

Years later, when my father's Alzheimer's became profound, I was the one who took care of him, spending many hours every week  in the fenced-in old house that had been transformed into a small care facility. I spent the last few months of those days sitting with him, interpreting his tangled, associative way of speaking for the caretakers on staff, and treasuring the times when he was suddenly himself for a minute or two.

One day, about six months before my father died, we were sitting side by side on the slumpy green couch in the TV room. He was relaxed, not agitated or scared as he was so often then.  A new employee walked past us, a wonderful caregiver who had come to the US from Haiti. My father focused on her as she asked him if he would like a glass of water. She waited for him to answer and when he didn't she patted his hand and said she would ask him again later.

As she walked away, Dad gripped my arm hard enough to hurt. "You can't tell anyone," he whispered, then repeated those four words two or three times, looking into my eyes.
"Ok," I answered, "tell them what?"
"That we're part negro. Give me your word."
He was shaking and sweating and I wanted to ask him so many questions but I knew he wouldn't be able answer them. At that stage of his decline, his clear moments were truly just....moments. So I told him it didn't matter anymore, that lots of  families had mixed heritages, that it was common and accepted by most people.
He cried.
My father cried.
And then he thought I was his brother and he asked me if I wanted to go fishing in Oregon come spring. I sat there, feeling light and changed, holding both his hands as I promised to get his tackle box cleaned out soon.

So my family tree is taller and wider than I thought.   I am very thankful for that.


*Adding this later, their children's names:  William Wynne, George Franklin, Andrew Thomas, John Kinser, Ira Walter, Samuel Edward, Joseph Lequire, Rosanah Arty, Lennie Ann, and James Harvey Peery