THE FAERIES' PROMISE

For young readers (and all the adults who send me fan mail for this series and The Unicorn's Secret)... I love you! 

There is a shiny new addition to The Faeries Promise series today...
Book Two, Wishes and Wings .   


You can read excerpts from all four books  here : http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Daps&field-keywords=books%20kathleen%20duey

                                                                book one in the series

REVIEWS:

This lovely, sincere faerie story tempers sadness with joy. Readers will eagerly return for the next volume.

-- Kirkus

"With its magical tone, sturdy characters, and satisfying plot, this simple fantasy will engage young readers and leave them eager to read the next book."

-- School Library Journal

"The opening portrayal of Alida's isolation is particularly compelling, and young readers will no doubt feel at first her despondency and then her hope and determination as the story progresses." The Bulletin of the Center for Children's Books

((I chose the name Alida because I have always loved the sound of it. A year after I wrote the books, I looked up the meaning. "small winged one". Really.))

THE UNICORN'S SECRET NEW COVERS

art by the amazing Sandara Tang


CLICK art to enlarge image...










This series is based on dreams I had--night after night--in third/fourth grade. Lord Dunraven's lands were as real to me as my own life.There is a second series now, set in the same place: The Faeries Promise. 

To everyone who has gotten in touch....

I woke up this morning trying to think of a way to say thank you....
....to everyone who has written to me through http://www.kathleenduey.com , facebook, twitter, etc. I have been trying to answer each one of you, and have to finally admit that I am probably too far behind to ever catch up.
Ever.

It’s amazing. YOU are amazing. I have heard from people all over the US and Canada, the UK, France, Germany, Poland, the Philippines, Australia, New Zealand, Russia, Belize, Brazil, Mexico, Dubai, Abu Dhabi, Morocco, Turkey, China, North Korea, Chile, …and all of you will get a link to this message soon. If you have written me from a place I have not mentioned, contact me, and I will add it.

If you want updates on my work once or twice a year, please email me:   kathleen duey at earthlink dot net. You will be the first to know what’s up next and how it’s going. I start almost every day by reading messages from readers. Your letters are a treasure. They make me write better (and sometimes faster). What you have written makes me smile and laugh and sometimes cry.

It’s always wonderful to hear someone say they love my books. People write to me asking questions about Sadima, Hahp, Gerrard, and all the others in ways that make me feel like they are people we both know and sometimes worry about. The city of Limori is very real to me, too, and yes, I do know more about it than I will ever fit into three books.

Thanks to everyone who thinks that a book about Eridies might be interesting. It might be. To everyone writing to ask about Russet: I am accumulating entries again will post them soon.  http://russet-one-wing.blogspot.com/

I love to hear from teens who say they hate reading but they liked my books anyway and stayed up late because they couldn’t stop reading.

Older Adults have written to tell me that even though the books are for Young Adults, they stay up too late reading them too.

LOTS of people have suggestions as to how Somiss needs to die. All I can say is, we'll see...

Librarians often say there are waiting lists for the books! School librarians write to say the added them to their collections and hope the censorship loving parents don’t notice.

One teen reader, recovering from a terrible accident, wrote to tell me that the books took her “out of the hospital, away from the pain". Another girl thanked me for the Eridians and said that her friends were like that, they carried as much of her sorrow as they could. Teen book clubs have written asking me really deep questions about the stories and the characters. I have recently gotten Skype and look forward to being part of book club and library discussions.

Some people write to ask WHERE TO BUY THE BOOKS.
In the US:
Most bookstores carry them and any bookstore can order them for you and have them in a few days.
Indiebound http://www.indiebound.org/ is a portal into the wonderful world of America’s independent booksellers. Type in the book title upper right and you can order it from a local bookstore in your area. All the online stores carry the books: Amazon, Barns&Noble, Borders, etc.

Internationally: Skin Hunger and Sacred Scars have been translated into:
German: http://bit.ly/h9w1S2
French: http://www.castelmore.fr/
Polish: (coming soon)
UK English (ok, not really translated, but some expressions and words changed)

If you want UK English versions of *any* book: http://www.bookdepository.com/
They have fair, low prices, and ship to most of the world... free.

Thanks for all the people who have written to tell me there are no ebook versions yet. I know. There will be, probably in 2013.

Everyone (almost) asks me when the third book will come out. After a LOT of interruptions (some of them self-inflicted) I am writing all day every day on book three. As soon as it tells me its name, I will tell YOU. I hope to finish it (including the revisions, etc, by the end of summer 2011. After that, it will take most of a year to produce the hardcover. I know. I apologize. I am trying hard to make it incredibly good.

Valid Excuses:
1. These are complex books and the details take time.
2. I have had to write other things, including books for younger kids, which I also love doing.

Whines:
1. I want the last one to be so good that I am afraid of it, a little. Which doesn’t sound like a very good excuse for taking so long, but it is, in an odd way.

Thank you ALL for writing to me, thank you for reading this. I send you all my very best wishes and may the coming new year bring you all good things.

I am thinking about writing a book about writing.

I have two monster deadlines to meet.  After that, or during that, somehow, I am thinking very seriously about writing a book about writing. One that addresses both art and craft and treats them as lovers, partners, siblings, fraternal twins, BFF's.

I spent last week interacting with an MFA class whose teacher is a friend (the amazing Bonny Becker) and realized from the questions and my attempt to answer them.....that maybe there is a reason for me to write a book about writing. 

!!!AND!!!  if I released it as a download-only, I would have very little tree-guilt.



(((This is the French Edition of Skin Hunger,
just released....)))

Unicorns and faeries, oh my!

The new Unicorn's Secret covers are really lovely.

And the Faerie's Promise books are beautiful, too. Thanks Sandara Tang!!!

first chapter excerpts here http://www.kathleenduey.com/KidsBooks/

Zombies vs Unicorns

Unicorns are fascinating. They are mysterious, shy, rare, and beautiful.  Many of the of the old stories say they had the ability to heal, which has always fascinated me. They are in the folk tales and mythology of almost every part of the world–and so are Zombies. 

When Holly Black contacted me about writing a short story for the anthology she and Justine Larbalestier were planning :  http://pages.simonandschuster.com/zombiesvsunicorns ..... I was thrilled to be included. I was team unicorn, of course! I had written stories about unicorns for young readers, and I was excited to write the darker side of unicorns for teens and YA readers.  Once I started the story, it dragged me into deeper and darker explanations of how the ability to heal might shape a unicorn’s life, his ethics, his needs. It became far darker than I could have imagined. 

It is the possibility of both darkness and light that make unicorns awesome.  As much as I love zombies (and I DO) they are always more or less the same. How people deal with them, survive them, escape/hide/destroy—mourn the friends who become zombies—all of that is interesting and exciting, yes. It can make for great books and films and TV shows about how human beings react when zombies stumble into their towns and cities.  But unicorns aren’t that simple. If you saw one leaping across an intersection, or hiding in the woods, you wouldn’t know how to react, whether to be scared or astonished or grateful or crazy or...?. The old  tales are vague and varied and ancient. There are just so many things we don’t know about unicorns...

There are no bad words....I am almost sure.

I got two very thoughtful, very kind, messages this past week telling me that my Resurrection of Magic books are well written, absorbing, and very hard to put down, but that "foul language" was an issue for both readers. If you have read the books, skip the next section. If not, you might want to skim it.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
There are two stories in the Resurrection of Magic books--and two protagonists. The narratives go back and forth every other chapter. The stories are set about 200 years apart and the first story causes the second one:

First story: Sadima is a damaged, gentle person trying to make sense of herself and a young man she loves—even though he is tangled up in the rage and ambition of a fanatic who is intent on re-discovering magic and changing the world at any cost.

Second Story: Hahp is trying to survive (200 years later) in the decaying and brutal academy that is eventually founded by Sadima’s companions. It is a strange and terrible place. Hahp, 11 years old at the story's beginning, often uses the word "crap" in the first book and uses f-word twice. In the second book, (just over 550 pages long ) he uses the F-word fifteen times--about once every thirty six pages--and the word "crap" only twice. He has outgrown it, I think, and/or it no longer provides the rage and terror release it once did.

Both stories are terrifying at points, emotionally realistic--a portrayal of uncontrolled ambition and fanaticism and the universally human inequity of power and magic. The two stories gradually weave together: in the third book the time difference narrows to synchronicity, almost 200 years having passed by the end of Sadima’s story and about 7 in Hahp’s.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Neither of the people who wrote me made a single comment about the ordeal of either character, even though both are nearly destroyed by what happens to them. The books are very dark. Both readers were bothered by specific words Hahp used. All the “language” issues are in Hahp’s story, I am almost certain. Sadima copes with her experiences in other ways.

One person said it was impossible to recommend the books because she would be embarrassed if friends found out she had read them. Reading the third book when it comes out would be impossible, too, she said, so she would have to "make up an ending" to the “amazing” story because of the “profanity”. She closed with "I won't read the next one for fear of the same bad language." If she had used any word but *fear* I probably wouldn’t be writing this.

The second writer said she couldn’t wait to read the third one and explained that it was a single word that bothered her most (for clarity, it starts with F, rhymes with truck, was said 15 times in a 550 page book, or about once every 36 pages.. She said she had read a lot of books for teens and that few if any used that word. (this is not my experience, but maybe I pick dark books) She wanted me to realize that a great tale can stand on its own without foul language.

I agree.
Completely.
Unless it is what the character would say.

I try hard to stay out of the way and to accurately record what happens. I never give the use of language by any character ten seconds thought. As loopy as it will sound to people who don’t write books, I never restrict the language of my characters: I have no right to do so. And I need to admit that if Hahp had even once said "Gosh, this is terrible," I would have canned him as a shallow and souless protagonist unworthy of the book and its readers and I would have held another casting call.

So here is my very respectful response to two people who could not have been more respectful to me in bringing up an issue that genuinely disturbs them both:

My own opinion is that words are words. There aren't good or bad ones. All exist because they were useful to human speakers for one reason or another. Some carry huge emotional freight…sometimes. Others don't. Many words, spoken or shouted with anger and/or hatred, can hurt. They can also sometimes ease the heart of the shouter, prop up courage, or announce a line drawn, hope abandoned, hope reclaimed, and so much more. They can build a proud wall between a bruised heart and bottomless despair. The use of words to communicate with ourselves and others is not a simple issue and it is a deeply personal one.

Interestingly, Hahp is using much less strong language in book #3—at least so far. He is older now, almost 16, and has seen more inhumanity that I ever will. He doesn't seem to need to prove/announce/prop-up his courage like he did a couple years ago. Yet anyway. He has nearly drowned in random and deliberate cruelty and confusion, and he has found a way forward in spite of it. He is a decent, fair person in a sea of brutality and has faced decisions that would torture anyone of any age.

I admire him.
I don’t care what words he uses to describe his story.
I just want him to survive.

Faeries and Unicorns

Lord Dunraven forbids people and magical creatures to have any contact at all. He is convinced that people who see dragons sail past overhead, or glimpse a unicorn in the woods, or hear faerie flutes on the light air of morning, are more likely to daydream--and less likely to work from dawn to dark.

When I was in 3rd and 4th grade, I dreamed about Lord Dunraven's lands every night for a year and a half. I would close my eyes here and wake up *there*. And when I lay down to sleep in the dream, I would open my eyes *here*.  It was seamless. I had two lives.

I have written two series based on those dreams:

The Unicorn's Secret (8 titles) is getting flashy-lovely new covers to celebrate 10 wonderful years in print.
The Faeries' Promise (4 titles) is almost finished.

The first Faeries' Promise title and two Unicorn's Secret titles will release together in June 2010. The rest will follow soon.

The lovely covers and chapter excerpts are here: http://kathleenduey.com/KidsBooks/

The book I write, the book you read...and the real wars.

Home from San Antonio, it was a wonderful conference! Hundreds of teens were invited by their libraries, so I got to talk to a lot of kids who had read or were reading The Resurrection of Magic books. I carried books with me, as always, and extra ones for the Teen Book Drop http://bit.ly/cxAYH8  and placed them  here and there….

One boy (about halfway through Sacred Scars) was concerned about Sadima. He was hoping that Thomas Marsham would leave her alone and that Somiss would never find her. He sounded protective, angry, like she was his sister and he would stand between her and anyone who tried to hurt her. When he was through talking, he stared at me. "Marsham and Somiss are both still alive in Book three," I said, finally, quietly. He tightened his mouth, nodded, asked me to write faster, then walked away.

One girl hated Franklin, because he could and should have killed Somiss when they were boys, she said. We talked about it, about how hard it would really be, to be a child faced with another child who was that strange/smart/dangerous--and how Somiss and Franklin are, in their sad, distorted way, brothers.

Three girls stood in a line before me and talked to each other, arguing over whether or not Gerrard was really from South-End, or if he had made up everything he told Hahp. I am still not sure. I don't know how Gerrard knows what he knows. I told the girls that he is the most interesting character for me; he rarely talks to me, in my head, or through my fingers and the keyboard. He is silent, angry, stiff, fierce, and, I think, scared.

…..And on the last day, in the airport, I saw a young man crying. I sat near him and after a few minutes asked him if there was anything I could do to help. He looked up and said this: "Can you make this deployment go fast?"

I put out my hand and he gripped it hard for a little while. Then he sat up straighter, squared his shoulders and hauled in that long breath, the universal human sound of acceptance and determination. We talked a little. He was carrying a book. He said he liked dark fantasy. I had one copy of Skin Hunger left in my backpack, so I signed it for him. Actually, I signed it to anyone who might read it because he said people always leave their books behind when they go home, to build a library for the incoming soldiers. Being a writer has made me a better human being--one of a thousand perks.

No matter how you feel about the wars our country is engaged in: http://www.anysoldier.com/WhereToSend/